Romanesque Europe and Late Medieval Italy

Instructions

2. Each of your answers should be at least 2 3 paragraphs in length; this works out to  at least 2- 3 pages of total writing for all four questions. 3. Your answers should be TYPED AND DOUBLE-SPACED. 4. Write clearly and concisely, taking into account spelling, grammar and sentence structure. 5. Please provide the number of the essay question you are answering at the beginning of your paragraph. 6. Make sure you put your name at the top of your paper. ESSAY QUESTIONS: Chapter 12: Romanesque Europe  1. Describe the development of the portal sculptural programs for Romanesque churches. How did these programs reflect their respective regions?  How were they similar and how were they different?  Use examples to support your essay. 2. Contrast the major differences between an Early Christian basilica and a Romanesque church.      Include Romanesque solutions to the basilican (longitudinal) plan and the reasons for these      solutions. Use examples to support your essay. Chapter 14: Late Medieval Italy  3. Discuss the circumstances surrounding the construction and decoration of the Scrovegni (Arena) Chapel, with special attention paid to Giotto's importance for the development of Renaissance painting. 4. Compare and contrast Giotto's and Cimabue's renderings of the Virgin and Child Enthroned.      How are they similar? How are they different? ______________________________________________________________________________Only one direct quote is permitted for each question.  Please limit sources.

Answer

Romanesque Europe and Late Medieval ItalyStudents nameName of institutionRomanesque Europe and Late Medieval Italy1. Describing the development of the sculptural portal programs for Romanesque churches. The Romanesque was first coined in the 19th century by Romans, and today it is being used to refer to the period of European art. The sculptural portals of the Romanesque are more than simple liturgical, biblical, or explanatory texts. However, it affected and regulated the kinesthetic experience on obse3rvers. An example is the Ripoli, Utun, and Mosaic portals which are considered fundamental to the ontology of Romanesque portals. These programs had a lot of reflection to their regions, for example, the portal inscriptions as performatives addressed the faithful directly to either not to e...
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